At the end of July I visited my good old buddy, Andy Bagely, driving beneath a firey sky. Note the cloud above the horizon, not unlike embers from a fire not long past.
We are both fond of cats… and synthesisers! Andy’s new Moog is a glorious instrument.
It was 1992 when we were encouraged to work together, composing the score for Debacle Theatre Company’s “A Clockwork Orange”. We learnt much from each other. It was through Andy that I discovered what Ollie Olsen had been up to since the early years of No and Orchestra of Skin and Bones.